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Mel Fuger
The beginnings of a young self-taught artist painter, passionate about shapes, thickness and colors...
New French artist painter from Paris installed on the Côte d'Azur since a few years, specializing in the abstract art, I am at first interested in acrylic paint on canvas and then to digital art...
Since my young age I was interested very quickly about drawing and painting; Already at 3 years old I realized paintings on Canson's paper and people were very surprised to see that I realized with as much of details without subject in front of me....
A few years ago I had an extraordinary meeting with the famous painter forward-thinking Georges Mathieu which has changed my life and my vision on art.
In 2007 I decided to move myself to the painting and create my first paintings on small formats.
I really realize my first canvas two years after my first test and I find myself a soul of artist that was buried deep on myself and request to speak.
I quickly paint twenty paintings in acrylic because is the texture that I prefer, but in 2010 I decided to start really in the world of art.
I work mainly on matter (thickness), the movement and the game colors.
For me ,painting is synonymous with experience, enrichment and evolution.
But since 2011 I started a challenge: perform on real canvas portraits painting in the same style as my digital portraits...
This is why, since a few months ago I started digital painting....New Art for designers and painters no longer have no limits in creation as you work with multiple tools, various materials and software that allows us to invent impossible to achieve with a simple canvas workspaint and paint brushes.
Digital art is a new way to address symbiotic mix and intensity of the colors to give a relief while sensitivity...
For my part, digital painting is the Art of tomorrow...
I currently works in the South of the France and prepares contests and exhibitions in France and in Europe.
"Painting is a way" to be", the temptation to breathe in a world unbreathable" by Jean Bazaine.
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